| Session Number: | 2 |
| Week Number: | 2 |
| What is your overall goal for this week? Be specific. | Create a diminuendo section AFTER the high point that makes melodic sense rather than a random drop in sound/volume. |
Work Tasks
| Date | Task Description | Time Spent | Was / Were your choices and work Best Practices? Why? |
| 10-27 | Class time was spent doing or listening to instructions | Whole class | Ways of living in the world: Career, following instructions. |
| 10-28 | Did the multitasking is switchtasking and instructions for most of the class period, then helped creating ideas for Ege then some piano work. | about 35ish, then the remaining time – 15 minutes. | Ways of living in the World: Career, following instructions. Ways of Working: Collaboration, planning. Ways of thinking: Innovation, finding new chords for next melodic parts. |
| 10-29 | Looked at the sheet music I wanted to replicate for a section of my piece and started implementing. | All of class | Tools of working: Media literacy, analyzing other creations to add to my own (why it works). |
| 10-30 | Played on the piano to find chords that I will later use for my song. | All of class | Ways of Thinking: Innovation, creating/finding new chords Ways of living in the World: College, planning out what I’ll be using in the song rather than making it up on the spot. |
| 10-31 | Ege found a cool app that would allow me to work with actual strings rather than a synthesized version of a string instrument. | most of the class | Ways of Thinking: Innovation, finding new resources that could help the creation process. |
Personal Reflection on the Week
Yes, I made a decrescendo segment that made musical sense and direction in my piece. The biggest challenge was making it make musical sense with the chord progression. I learned that even if you’re decrescendoing, notes from background sections can still rise and that’s what I did with the second violins.
Most Proud of…
I’m most proud of the climax section before the decrescendo and how it became unified with all sections.